Welcome to the Composition Division
We offer two different main tiers of classes. 1. Non-Competition, 2. Competition Classes (please read below for more detail). Select your grade in school/age below for 2025 class information.
Each class has a total time limit, which includes both your performance and the adjudication. We recommend using about half of your time for performing and leaving the other half for feedback from the adjudicator.

The Composition Division invites aspiring composers 1st Grade through Adult to present their original works in a creative and supportive setting. Whether you’re exploring composition for the first time or honing your craft, this division offers a valuable opportunity to have your work heard and receive feedback from professional composers. Teachers will find this an excellent way to inspire their students’ creativity, and parents can encourage their young composers to push the boundaries of their artistry and take the next step in their compositional journey.
Composition Division Fact Sheet
NON-COMPETITION CLASSES
- Introductory Masterclasses are for those who would like to present their music and receive feedback, but not receive a numerical score. The relaxed and encouraging atmosphere of the masterclass is perfect for musicians of any age (studying privately or not), who are beginners or intermediates, or who just present their music and get helpful suggestions from an outstanding adjudicator. Live recordings, performance, or mockups of compositions are optional.
- Adjudication-Only Classes are for those who wish to receive feedback and a numerical score. Scores and recording (live, or mockup), or a live performance of the composition, are required. Adjudicator will offer written and oral feedback along with a numerical score. No medals are awarded. Participants may be chosen to present their compositions on the KPBX public radio at the discretion of the adjudicator.
COMPETITION CLASSES
- *Competition Classes (marked by an asterisk) are for those who wish to compete for medals. Scores and recording (live, or mockup), or a live performance of the composition, are required. Adjudicator will offer written and oral feedback, along with a numerical score. Gold/silver medals are awarded at the discretion of the adjudicator. Medal winners may be invited to share their composition on the KPBX radio. Participants may be chosen to play on the KPBX public radio at the discretion of the adjudicator.
- **Adjudicators’ Choice Class (marked by a double asterisk) indicate a competition class where participants receive written and oral feedback, along with a numerical score. Gold/silver medals are awarded at the discretion of the adjudicator. The gold medal winner with the highest score in any 9th-12th grade Adjudicators choice, will be invited to present their composition (in live or recorded form) at the Festival Highlights concert at the Myrtle Woldson Performing Arts Center.The gold medal winner with the highest score in any College Adjudicators choice, will be invited to present their composition (in live or recorded form) at the Festival College Collage concert at the Myrtle Woldson Performing Arts Center. Participants may be chosen to share their composition on the KPBX public radio at the discretion of the adjudicator.
- The Young Artist Competition is the highest level of competition and is reserved for those ages 16-29. The gold medal winner is commissioned, with a cash prize, to write a new work for a professional chamber ensemble, to be performed at a later date. Scores and recording (live, or mockup), or a live performance of the composition, are required. Participants may be chosen to play on the KPBX public radio at the discretion of the adjudicator.
CREATIVE MUSICIAN INTRODUCTORY
We invite you to perform one of your own original compositions, songs, or improvisation. Please prepare 1 selection for this class. Must not exceed 6 minutes. Please ensure that any lyrics to original compositions are family-friendly, avoiding inappropriate language, themes, or content.
C10 Creative Musician Introductory 1st-3rd Grade / Entry Fee: 40.00 USD
-No Score Required-
Time Limit: 15 Minutes
C11 Creative Musician Introductory 4th-6th Grade / Entry Fee: 40.00 USD
-No Score Required-
Time Limit: 15 Minutes
C12 Creative Musician Introductory 7th-9th Grade / Entry Fee: 40.00 USD
-No Score Required-
Time Limit: 15 Minutes
C13 Creative Musician Introductory 10th-12th Grade / Entry Fee: 40.00 USD
-No Score Required-
Time Limit: 15 Minutes
C14 Creative Musician Introductory College/Adult / Entry Fee: 40.00 USD
-No Score Required-
Time Limit: 20 Minutes
IMPROVISATION WORKSHOP MASTERCLASS
Explore your creativity with us! No written score is required. This class is open to anyone that is interested in learning more about improvisation, making music on the spot.
C30 Improvisation Workshop Masterclass 1st-5th Grade / Entry Fee: 40.00 USD
-No Score Required-
Time Limit: 15 Minutes
C31 Improvisation Workshop Masterclass 6th-8th Grade / Entry Fee: 40.00 USD
-No Score Required-
Time Limit: 15 Minutes
C32 Improvisation Workshop Masterclass 9th-12th Grade / Entry Fee: 40.00 USD
-No Score Required-
Time Limit: 15 Minutes
C33 Improvisation Workshop Masterclass College/Adult / Entry Fee: 40.00 USD
-No Score Required-
Time Limit: 20 Minutes
ORIGINAL COMPOSITION CLASS
Welcome to the Original Composition Class!
We invite you to present an original composition. Total duration of composition must not exceed 6 minutes.
Note: A written score (PDF) and live or mockup audio file must be submitted to pritchy@musicfestnorthwest.org by no later than April 28th, 2025
* C62 Original Composition 7th-9th / Entry Fee: 40.00 USD
-Score Required-
Time Limit: 15 Minutes
* C63 Original Composition 10th-12th Grade / Entry Fee: 40.00 USD
-Score Required-
Time Limit: 15 Minutes
** C64 Original Composition College/Adult / Entry Fee: 40.00 USD
We invite you to perform one of your own original compositions. Total performance time may not exceed the indicated time limit.
The winner of the College/Adult Origional Composition class, with a grade of 97 or above, will receive a Gold Medal and the opportunity to perform in our College Collage Concert on Thursday night, May 15th, in the Myrtle Woldson PAC.
To be eligible for an award, participants must be available to play at the First Annual College Collage on Thursday night. If the winner of the class cannot take advantage of an award, it may be offered to a qualified alternate, as determined by the adjudicator.
Participants may not enter the Composition Young Artist in the same year.
Note: Participants must produce a work of their own composition, and have a physical copy of the music available for the adjudicator.
-Score Required-
Time Limit: 20 Minutes
ORIGINAL COMPOSITION WORKSHOP MASTERCLASS
Welcome to the Original Composition Workshop Masterclass!
Join us for a teaching-focused class where participants can showcase their original compositions. A written score is required for this class. Total duration of composition must not exceed 6 minutes. Please submit your score (PDF) or provide audio files to pritchy@musicfestnorthwest.org by no later than April 28th, 2025.
C40 Original Composition Workshop Masterclass 9th-College/Adult / Entry Fee: 40.00 USD
-Score Required-
Time Limit: 20 Minutes
YOUNG ARTIST ORIGINAL COMPOSITION
We invite you to submit one original composition score (PDF) for this prestigious category to pritchy@musicfestnorthwest.org by no later than April 28th, 2025.
Entry Fee for Young Artist Composition Class: $100
Participants must be between the ages of 17 and 30, inclusive, on May 1st prior to the festival.
Gold Medal Prize: $250 and a Performance Commission
The winner will receive an award of $250 and a commission to compose a piece for a Spokane chamber group.
Performance Requirements:
You may submit a mock-up, recording, or live performance of your composition. A written score (PDF) or audio file must be included with your application.
Notes:
Time limit: 20 minute
Young Artist winners are not eligible to compete as a Young Artist in the same division in any subsequent festival.
Participants may not enter multiple Young Artist divisions in the same festival year. However, they are eligible to participate in Adjudicator’s Choice classes, though they cannot win an Adjudicator’s Choice Award if selected as a Young Artist winner.
See Rules and Regulations on Festival home page.
* C1 Young Artist Original Composition
Please review all Festival Rules & Regulations prior to registration.
Lesley Rausch
David Turnbull
Jabarie Glass
Philip Aaberg
Daniel Velasco
Vern Sielert
Brent Edstrom
Eugene Jablonsky
Derek Munson
Silvan Negruţiu
Nancy Breth
Jee Wong
Pierce Emata
Todd Goranson
Sally Singer Tuttle
Margaret Baldridge
Dr. Richard Hodges
Danny Gurwin
Lesley Rausch

Shir Lee Wu and later at Pacific Northwest Ballet School. She attended summer
intensives at the School of American Ballet, International Dance School, and PNBS.
Lesley joined Pacific Northwest Ballet in 2001, rising to soloist in 2007, and became a
principal in 2011 before retiring in 2023. She captivated audiences in principal roles
across full-length ballets by Kent Stowell, Alexei Ratmansky, Peter Boal, Ronald Hynd
and Jean-Christophe Maillot, as well as in original works by legendary choreographers
George Balanchine, Jerome Robbins, William Forsythe, Twyla Tharp, Jiri Kylián, Nacho
Duato, Crystal Pite, David Dawson, Christopher Wheeldon, and many others. She also
originated roles in new works by Jessica Lang, Benjamin Millepied, Edwaard Liang, Val
Caniparoli, and Kiyon Gaines Ross.
A sought-after guest artist, she has performed at the Chicago Dancing Festival, Nevada
Ballet Theatre, Ballet Hawaii, and the Nantucket Atheneum Dance Festival, among
others, and has danced on renowned stages in New York City, Paris, London, Los
Angeles, Washington DC, Istanbul, and Hong Kong.
Beyond performing, Lesley has been a guest instructor at Central Pennsylvania Youth
Ballet, Ballet Hawaii, Evergreen City Ballet, and Montana Ballet Company, where she
also choreographed and staged excerpts of Swan Lake. She was on faculty at Pacific
Northwest Ballet School (2017–2023) and currently teaches at Adage Ballet Academy.
Lesley is a Stott-certified Pilates instructor and certified instructor in Tai Ji Quan: Moving
for Better Balance as well as Madeline Black Series One and Two, specializing in private
instruction for rehabilitation and dance training.
David Turnbull

Dr. David Turnbull, professor of music, coordinates the Brass and Percussion Area in the School of Music at Washington State University. He plays trumpet with the WSU Faculty Brass Quintet and performs with Jazz Northwest (the WSU Faculty Jazz Ensemble).
Recently, Dr. Turnbull joined the Fountain City Brass Band as a cornet player. The Fountain City Brass Band, founded in 2002 (based in Kansas City) draws its membership from around the United States. Since their first competition in 2004, the Fountain City Brass Band has won seven U.S. Open Brass Band Championships and six North American Brass Band Championships.
Turnbull holds a Doctor of Musical Arts Degree in Trumpet Solo Performance from Arizona State University. He holds a Master of Music Degree in Trumpet Solo Performance from Arizona State University and a Bachelor of Music Degree in Education from Hastings College in Hastings, Nebraska. He also graduated from the Cooperative Urban Teacher Education Program at Rockhurst College in Kansas City, Missouri.
Turnbull adjudicates throughout the Northwest for marching band competitions and concert band and jazz festivals. His students compete in and win local, national and international competitions.
Philip Aaberg

Daniel Velasco
Daniel Velasco is an award-winning flutist whose “standout” and “vibrant” performances (Miami Herald) have taken him around the world. He is the first-prize winner of the National Flute Association’s Young Artist Competition, WAMSO Minnesota Orchestra Competition, MTNA Young Artist Competition, Claude Monteux Flute Competition, among others. A Yamaha performing artist, his first solo album, Flauta Andina, with Ellen Sommer (piano), was released in 2022 under the Naxos label.
He has been featured as a guest performer at recital series and flute events across the United States as well as the Swedish Flute Association Convention, the Guadalajara-Mexico Vientos de Otoño Festival, the Festival Internacional de Flautistas en la Mitad del Mundo in Ecuador, the Milan Conservatory, and the Instituto Cervantes in Paris.
Velasco earned a doctoral degree from the University of Miami (Frost School of Music), and holds degrees from the University of Michigan, the University of Texas at Austin and the University of Northern Iowa. His main teachers include Angeleita Floyd, Marianne Gedigian, Amy Porter and Trudy Kane. He serves as Associate Professor of Flute at the University of Kansas.
Vern Sielert
Vern Sielert is Professor of Trumpet and Jazz Studies at the University of Idaho. He holds BM degrees in jazz studies and music education, and a MM degree in jazz studies from the University of North Texas, and a DMA in trumpet performance from the University of Illinois. His compositions and arrangements for jazz orchestra are performed by high school, college and professional groups around the world, including the C.U.G. Big Band (Japan), U.S. Army Jazz Ambassadors, U.S. Army Blues, and the Count Basie Orchestra. His playing can be heard on recent recordings by the Jim Knapp Orchestra, Unhinged Sextet, Palouse Jazz Project, Dan Gailey Jazz Orchestra, Greg Yasinitsky’s YAZZ Band, Bob Curnow Big Band, and Phil Kelly’s Northwest Prevailing Winds. Selected arrangements and compositions are published by Sierra Music.
Silvan Negruţiu
Hailed as “a startling and authentic pianist displaying rich imagination and brilliant vigor, whose precision and splendor of keyboard sound certainly inspire a transcendental reality” (The Musical News Journal), Silvan Negruţiu has performed on major international stages, from the Kennedy Center in Washington DC to Ireland’s National Concert Hall, the Romanian Athenaeum in Bucharest, the Xi’an Concert Hall in China, the Showa Recital Hall in Tokyo, and the Hong Kong Academy for Performing Arts. His recent albums released by Centaur Records, “Bagatelles” (2021) and “Carl Roskott: Works for Violin” (2018) have garnered rave reviews and a Silver Medal from Global Music Awards. As an artist, a teacher, and a scholar, Silvan Negruțiu embraces the exploration of rare piano literature, along with the advancement of arts entrepreneurship in higher education. He holds degrees from Shenandoah Conservatory in Virginia, the Royal Irish Academy of Music and Dublin City University in Ireland, and the Romanian National University of Music in Bucharest. Silvan Negruțiu serves as the Kitt Endowed Professor in Piano and Director of Piano Studies in the Kitt School of Music at Northern Arizona University. Prior to this appointment, he taught at Millikin University, Shenandoah Conservatory, and the Royal Irish Academy of Music.
Nancy Breth
Nancy Breth grew up in Spokane, where as a student of Margaret Saunders Ott she played in the Greater Spokane Music Festival every year. So MusicFest Northwest occupies a special place in her heart; she is honored to return as an adjudicator.
Nancy teaches piano and chamber music to students of all ages in the Washington DC metro area. Her students have been winners or finalists in local, national and international piano and chamber music competitions. Several appeared on National Public Radio’s “From the Top;” four of her duet teams won MTNA’s national Duet Competition. She enjoys frequent speaking engagements at teachers’ conferences throughout the country, and has been chosen to present at MTNA’s national conference eight times.
Nancy created the Modern Piano Music List as a tool to bring more 20th and 21st century music into our studios. This unique resource for teachers and students of all levels provides links to video performances and purchase sources of over 200 modern piano pieces.
Breth publications (Hal Leonard Corp.) include several books on practicing and Six Songs from John Gay’s The Beggar’s Opera, a set of piano trios for beginners. Her YouTube channel Effective Practicing features short videos of her favorite practice tips.
Jee Wong
Jee Wong received his Master’s degree in Piano Performance and Piano Pedagogy from the University of Montana. He was a staff artist, workshop presenter and adjudicator for Yamaha Piano Company in Japan from 1995 – 1999. He has performed with the late pianist George Winston, choreographer Karen Kaufmann, and R&B artist Brian McKnight. He served as a studio musician for KA by Cirque du Soleil, Lionel Ritchie and Kane Brown.
In the 2024 season his concerts will showcase music by Carlos Chavez, Manuel Ponce and Miguel Jimenez in Mexico, Puerto Rico and South East Asia.
Mr. Wong is a Nationally Certified Teacher of Music (NCTM) and an adjudicator for Music Teachers National Association (MTNA). He is currently the President of the Las Vegas Federation of the Music Clubs. In 2024 he inaugurated the Las Vegas Sonata – Sonatina Festival. In 2022 he was awarded the Nevada Music Teacher Association’s Outstanding Music Teacher Award, then in 2023 he was given the Outstanding Service Award by Las Vegas Music Teachers Association.
Mr. Wong is passionate about bring performances to community and schools. His fundraising concerts have raised funds to benefit Corazon de Vida, an organization provide life changing support for abandoned and orphaned children in Baja, Mexico.
Pierce Emata

Todd Goranson

Dr. Goranson’s diverse saxophone performance credits include performances with Ray Charles, The Temptations, The Four Tops, Johnny Mathis, Utah Symphony, Dallas Winds, and Harrisburg Symphony. He has performed as bassoonist with over twenty professional orchestras in the US, Mexico, Sweden, and China. Goranson is the former principal bassoonist for the Plano Symphony and Irving Symphony, where he performed from 2002-2012. He is a founding member of Triforia Winds, Junction Saxophone Quartet, and Trio Atlantis.
A prolific performer and clinician, he has given concerts and clinics throughout the US and in the United Kingdom, China, Sweden, Mexico, Malaysia, Thailand, Canada, and Puerto Rico. Goranson is a Vandoren Paris Artist-Clinician and Yanagisawa Saxophones Artist. He adjudicates regularly for the ENKOR International Music Competition and for Music in the Parks Festivals.
Sally Singer Tuttle
British-born cellist Dr. Sally Singer Tuttle, noted by The Strad Magazine for her “transforming sweep of gossamer beauty”, has performed as a soloist with the Pleven Philharmonic, Bulgaria, the Stony Brook Symphony Orchestra, New York, the Danbury Symphony, Connecticut, the Washington-Idaho Symphony Orchestra, Wenatchee Valley Symphony Orchestra, Walla Walla Symphony Orchestra and the St. Petersburg Chamber Philharmonic, Russia, amongst others. Chamber performance highlights include the Tanglewood Music Center, the Metropolitan Museum of Art and Alice Tully Hall in New York, first prize in the John Ireland Chamber Music Competition, British National Television appearances and the Australian and American Embassies in Ghana. Sally is a member of the Volta Piano Trio, (formerly the Icicle Creek Piano Trio), who released three highly acclaimed albums. Fanfare Magazine wrote of the recording of Schubert’s Piano Trio no. 2 in Eb major, “The performance by this trio comes as close to being “definitive” as any I expect to hear in my lifetime”. Sally attended the Royal Northern College of Music, UK, as an undergraduate and postgraduate student and went on to earn a Doctorate in Musical Arts from Stony Brook University, New York, where she studied with Timothy Eddy. She currently teaches cello at Whitman College.
Sally Singer Tuttle

Margaret Baldridge

Jabarie Glass

He has led conducting masterclasses and presented interest sessions at state, regional, and national conferences of ACDA; has published in The Choral Journal; and serves as the Student Activities Coordinator for ACDA Southern Region.
Having led an accomplished high school and middle school choral program for nine years, he is in high demand as a clinician and conductor for festival choruses. Notable engagements include conducting the ACDA Southwestern Region 10-12 Mixed Choir and All-State choirs in Georgia, Alabama, Mississippi, North Carolina, and Wisconsin.
Glass earned dual bachelor’s degrees in music education and business administration from the University of Mississippi, a master’s in music education from Florida State University, and a doctorate in conducting from the University of Michigan School of Music, Theatre & Dance.
Louise Toppin
Dr. Louise Toppin has received critical acclaim for her operatic, orchestral, oratorio and recital performances world-wide. Represented by Joanne Rile Management, she toured “Gershwin on Broadway” with pianist Leon Bates. She has recorded more than eighteen commercial CDs including on Albany Records Ah love, but a day, and La Saison des fleurs. Since 2021 she has published 13 scores including An Anthology of African and African Diaspora Songs, and Rediscovering Margaret Bonds.
Recent performances include: world premiere of Julia Perry’s Frammenti dalla lettere di Santa Caterina with the Akron Symphony Orchestra, performances with Julia Bullock and the New World Symphony, co-curated and sang festival of Black Music in Hamburg, Germany with Thomas Hampson and Larry Brownlee, performance at the U.S. Capitol for Congress and President Obama, and for the opening of the Smithsonian’s African American Heritage Museum.
She has appeared on NPR’s All Things Considered; co-hosts the Minnesota Orchestra “Listening Project”concerts, and hosts her own show Conversations in African American music. She has been a guest on college campuses including Harvard, Yale, Duke, and many others. Co-founder and Director of the George Shirley Vocal Competition on repertoire by African American composers, and Director of Videmus (non-profit organization that promotes the concert repertoire of African American composers), she also founded the Africandiasporamusicproject.org research tool.
Previously, Dr. Toppin was the Distinguished University Professor of Music and Chair of the Department of Music at the University of North Carolina, Chapel Hill. She is currently University Distinguished Professor of Diversity and Social Transformation and Professor of Music (Voice), at The University of Michigan. For more www.louisetoppin.com.
Richard Hodges

Danny Gurwin
DANNY GURWIN – Danny is a MAC, Elly, and Arty-Award winning director and a BroadwayWorld, Eddon, and Barrymore award-winning actor and singer. Broadway credits include Little Women, Urinetown, The Scarlet Pimpernel, The Full Monty, Kismet, A Little Night Music, and How The Grinch Stole Christmas. Off-Broadway, Danny has starred in Forbidden Broadway, A New Brain, The Thing About Men, R & J, and many, many others. Numerous television and regional shows, concert work, and cast recordings. As a renowned director, teacher, clinician & guest artist, Danny has taught at The University of Michigan, UCLA, Western Michigan University, Youngstown University, Clark College, AMDA – LA, both the prestigious Las Vegas and Orange County Schools of the Arts, ChiArts, the Professional School for the Arts, the Showchoir Camps of America, Making It On Broadway Intensives, 6 Days of Broadway at the Segerstrom Center for the Performing Arts, and is former Head of Acting/Musical Theatre at the University of Arizona. Danny is currently Head of Musical Theatre at Oakland University in Michigan. He holds a BFA in Musical Theatre from the University of Michigan.
Brent Edstrom
BRENT EDSTROM– Brent Edstrom’s performance credits include several years as a touring musical director, arranger, and pianist for recording artist, Freda Payne, as well as performances with well-known performers and conductors including Clark Terry, Carmen Bradford, John Clayton, Gunther Schuller, Victor Wooten, and many others. He recently recorded an album of original songs with jazz artists Tierney Sutton, Jeff Hamilton, and Jon Hamar.
Edstrom has published more than 100 note-for-note transcriptions of historically significant jazz musicians including Art Tatum, Bill Evans, Oscar Peterson, and Kenny Barron. He authored 65 volumes for Hal Leonard Corporation’s Jazz Piano Solos Series and his compositions have been performed throughout the US and Europe. In 2020, the orchestral version of his song cycle, Prairie Songs: Remembering Ántonia, was selected as a national finalist for the American Prize in composition.
Edstrom’s research explores the intersection of music, computer science, and electronics, and he just completed a third book for Oxford University Press titled Sound and Music Projects for Eurorack and Beyond. Edstrom has taught at Whitworth University since 2001 where he holds the Amy M. Ryan Endowed Professorship.
Derek Munson

Known primarily as a jazz player, Derek has performed alongside many of his musical heroes, including Bob Mintzer, Randy Brecker, Paquito D’Rivera, Bobby Shew, Jeff Clayton, John Clayton, John Fedchock, Andy Martin, Jeff Hamilton, and Peter Erskine. He has also backed internationally renowned artists such as Petula Clark, Marie Osmond, and Frank Sinatra Jr. His ability to blend technical precision with deep musicality has made him a sought-after player in many settings.
Beyond the stage, Derek has extensive touring and studio experience, including multiple national tours with Nashville-based singer/songwriter Aaron English and Denver rock powerhouse Xiren. His work in the studio spans multiple genres, where his adaptability and groove have contributed to numerous recordings.
Currently, Derek holds the drum chair for the Bob Curnow Big Band and the Spokane Jazz Orchestra while maintaining a busy performance schedule across the Pacific Northwest.
Eugene Jablonsky

Meet our 2025 Adjudicators and clinicians
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